I read all sorts of things, but you want something pulp fiction.
try reading the demon city Shinjuku /demon city blue series because that shit the most 90s shit ever and fucking amazing look at this cover art,
and the main characters are all kinds of hardcore like Chinese main character hardcore. the issue is only the demon city Shinjuku book , Demon Palace Babylon, Maohden and Yashakiden The Demon Princess. the rest of the series never got touched for official translation. but the shit that is out is off the fucken chain. and this is written by Hideyuki Kikuchi the dude behind vampire hunter D, and other such works as Wicked City & A Wind Named Amnesia for example, and the artist is Shinichi Hosama.
thats why Accelerator reads heavy object in the anime
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the guy who writes index & heavy object Kazuma Kamachi.
he is a fucken mad lad and borderline insane.
what I am about to post is quotes from a book written about him
here is a link to this gold mine
this part talks about some of the rumours and his work habits
- he continued to write while suffering from norovirus.
- I've got it all in my head," he said, and even though he didn't have the manuscript in hand, he held a meeting based on his memory of the exact line numbers.
- He completed the second volume of A Certain Magical Index in just seventeen days.
- Before the release of the fifth volume of "A Certain Magical Index," I had almost finished writing the sixth volume and had also completed the plot for the ninth volume.
- In addition to writing novels, he has been unusually quick in submitting draft plots for "Railgun of A Certain Science" (spin-off manga), for which he is in charge of drafting.
- In addition to writing novels and drafting manga plots, I sometimes work on multiple jobs at the same time, such as short stories for award-winning novels and draft scenarios for games.
- Around April 2007, he gave me a verbal synopsis of "Heavy Object" and I replied, "That's a good idea, but I'm sure you're busy right now, so if you can write it, let's do it.
- A few days after I was asked if I could write about the second volume of "Heavy Object," I said yes. A few days after I said yes, I suddenly received an email. I thought it was a plot, but when I printed it out, it was a manuscript of several hundred pages.
- He writes and brings in a manuscript with no deadline set at all, or a manuscript for the next meeting before the meeting.
- When I requested an original short story for a magazine project, he brought me a full-length story with no set deadline along with the completed manuscript.
- My break from writing is to work on another manuscript.
- He always participates in script meetings and post recordings for anime, except when he is sick and writes the basic drafts for all original episodes.
- He always writes a novel for each anime series as a package bonus. There are always enough for two Dengeki Bunko books.
- Even with this, there are many manuscripts that have been put on hold due to various reasons (voluntary rejection, postponement of release, etc.). If I put them all together, I could make five Dengeki Bunko books.
- At most, he has supervised the simultaneous serialization of seven comic books.
- The main scenario of Square Enix's smartphone game "Diffusion Million Arthur" was written entirely by Kamaike, and he also supervised all the settings for each card character. The same goes for "Divergent Million Arthur".
- When I asked him to write one short story for a magazine project, he came to me before the deadline and said, "I've written about ten stories, please choose one.
- He continues to bring me new manuscripts with deadlines that I haven't even set. I keep telling him and he keeps coming back.
- He kept sending me new manuscripts with deadlines I hadn't set.
- I've been publishing a new book every month since the end of 2002, and I still have about a year's worth of manuscripts in stock (as of October 2005).
- I asked him, "How can you write so much? he replied, "If I don't write, I'll crash. It's like an aeroplane.
edit: another short story about this madman, and did some cleaning up
I'm sure there will be more updates in the future, but for now, I'll leave you with this.
Of the 20 or so episodes I've mentioned, the one I remember most is (2), "I said, 'I have it all in my head,' and we had a meeting based on what I had memorized, line by line, even though I didn't have the manuscript at hand.
This was back in the days of Media Works when the office was still located in Ochanomizu (the current office is in Iidabashi. (Media Works merged with ASCII in 2008 and became ASCII Media Works.
I remember it was the third volume of "A Certain Magical Index," and I was still meeting with Mr Kamaike by phone because he was far away.
When discussing the manuscript with the author over the phone, I would tell him the number of pages that needed to be pointed out over the phone, and after reading out the relevant text, we would discuss how to fix it.
We do this page by page for a full-length book, so if there are many points to be pointed out or discussed, it can take three to four hours.
At that time, I also gave them the number of pages and lines to point out and confirmed the intent of the text.
The meeting went very smoothly. I remember that we got very excited at the part of the iron bridge battle scene between the hero, Kamijo, and one of the main heroines, Mikoto.
One hour after the meeting started. Suddenly, I noticed something strange.
I couldn't hear the sound of paper turning pages on the other end of the phone.
The phone was not a cell phone, but a landline. And he didn't have a laptop at the time, so it would have been impossible for him to work while looking at his desktop PC, which was located in a different place from the phone.
Needless to say, if you have a printout of the manuscript at hand, you will have to "turn the pages" during the meeting. There is the sound of turning, and the time lag.
But now I don't have to do that.
I had a bad feeling about ......, so I asked Mr. Kamaike with trepidation.
"Mr. Kamaike, I don't think you're expecting this, but ...... do you have the manuscript there now?
"No, I don't.
"But you understand all the things I've pointed out in detail on each page in my request for revision, don't you? Are you sure you don't need the manuscript at hand?
I have it all in my head, so I'm fine.
Kamaike, you're not an indexer, so please go to .......
here some links to some shit if anyone wants them.
link to folder filled with officially translated light novels.
https://lnwncentral.wordpress.com/